he vulnerability of the body against fabric allows for a relationship to unfold, and garment begins to form from a reactive movement of the bodies communication. The collection identifies how and where the body communicates through fabric informing the garment resolution. Thus, allowing the design and movement to become intrinsic to one another. Through movement and choreography, the development of design allows a new opening, in which to discover innovative and constructive movement vocabulary that can be used for design purposes.
Amy Ollett's collection will be presented at the Show Programme at SAM-Decorfabriek on Saturday the 16th of June. You can get your tickets for the show here.
What made you realize that you wanted to work in (fashion) design?
During my training as a dancer, I was always drawn to avant-garde imagery within the fashion industry which influenced my movement as a choreographer. However, I did not see its potential as a combined field until making my move into Fashion education. Through my Master's Degree, I discovered new methods to develop fashion design with the body and movement. This discovery has made me want to work within fashion design to transform the way we experience clothing in connection to our body.
Why did you choose fashion?
It wasn’t until my last year of my Bachelor's Degree that I began to understand the relationship I was having between my own movement and design. However, my vision for design was not meeting the movement I wanted to fulfil and I felt unsatisfied as a mover. Consequently, I knew I needed to focus on the design aspect of my practice and bring fashion to the surface once and for all. Fashion was creating that space in-between to materialise, leading to extensions of movement I could not achieve with my own physical body. This is what lead me into doing my Masters Degree in Fashion.
