Photo Sébastien Delahaye |
Hello, Justine and Erika! Please introduce yourself. Who are you? Where do you come from? What is your field of specialisation? KRJST was born in May 2012. Our brand is in the continuity of a Master’s Degree at La Cambre, in Brussels, where we met. We developed our creativity and learned to manage the different steps to create a collection, which requires endurance and dedication abilities to affirm and defend our opinions. We both are passionate about art on a more general level, and we both have different but complementary personalities. Justine has a tendency to produce more harmonious and detailed work, whereas Erika develops a more natural and experimental work. Since the establishment of our brand, some unbelievable people have joined the team; Pam Mertens, Monsieur Pimpant-Draftman and Sébastien Delahaye.
Your label is called KRJST. Where does the name come from?
The KR from Erika And the JST from Justine.
How did you two end up working together?
After we finished our scholarship at La Cambre. Both of us were thinking what to do after graduation; how to manage ourselves, our thoughts and our beliefs, our love for art and fashion. After some pondering, many cups of coffee, we realised that we share the same ideas for the future.
Do
you have a philosophy for designing?
KRJST arises
from the confrontation of different artistic visions. Indeed, we think of
ourselves as a platform that invites artists with various skills and
backgrounds to the dialogue. The textile and graphic research, as well as the
development of innovative techniques, is KRJST's rallying point through the
high-end collections of ready-to-wear for men and women. Our philosophy is to
be found in the symbiosis of the elements and people who are part of KRJST’s
project.
What
place or city do you find inspiring?
Tokio, it seems to us that it is the place
where people dare the most.
Feeding the Ghosts is the name of your collection. Did you work on some personal encounters with ghosts throughout the process of designing this collection?
Feeding the Ghosts is the name of your collection. Did you work on some personal encounters with ghosts throughout the process of designing this collection?
The collection
has been particularly nurtured by South-African artist William Kentridge and
his work in which he reflects on his own country haunted by a “past that does
not pass”, as well as on traumas and human condition in general. Through this
way of thinking we worked the notion of Feeding
the Ghosts as a message of resistance towards dominant culture and attest
the will to give voice to the “ghosts” that history has forgotten.
South Africa functions as an important reflection
point for your collection. What do you find fascinating about the country?
Photographer: Sébastien Delahaye |
KRJST works with
the ideas of transmission and rallying traditions like spirituality, music and reveries. We aim to get to know our past, to understand our
traditions and beliefs. This is essential in order to go forward. South Africa
could reflect our obsession with history and its leftovers that we try to
translate artistically. There are the dual processes of deconstruction and
reconstruction, as well as individualization and collectivization present. Individual
stories, or clothes, are used to epitomize a common experience which can be
revisited again and again to give them new meanings. Slavery, life on the
plantations, Apartheid legacies are all part of the haunting past that has
given birth to this collection. Feeding
the Ghosts alludes to such experiences, it reveals scars left by the past
and exploits the ambiguous feelings that are linked to history(ies).
What is it like to be a young designer in your city/country?
We like the
Belgian Spirit in the fashion industry, meaning that there are lots of people
who are attracted to fashion and art in Belgium and give them true worth. We like to be a part of this Belgian wave of
designers, who export themselves and who have a real personality. So, it's nice
to start a brand in Brussels even though we would love people to express
themselves more through their looks!
What attracts you about the FASHIONCLASH platform?
The concept of
the platform that regroups different kinds of disciplines such as art and
fashion; based on unexpected results and collaborations; and considering
fashion as a contexts in which we are involved is exactly what KRJST is tending
towards.
Describe
you collection in three words.
Curiosity,
spirituality, dialogue.
KRJST's working space |
Do
you have a muse? If yes, who is it and why?
Frida Kahlo, Whitney Houston, Sébastien
Tellier and Serge Gainsbourg. All of them had a real influence on the world we
are living in.
What
kind of feeling do you want to transfer with your latest collection?
We would like you to try the clothes on,
and then feel more yourself than you have ever felt.
What
on your playlist when you are working?
Radiohead, Damon Albarn, the Smiths, the
Clash, Stevie Wonder, Michael Jackson, Edith Piaf, Sébastien Tellier, Devendra
Banhart, Christophe, the Pixies, Pink Floyd, Whitney Houston, Kanye West, Jeff
Buckley, Grizzlie Bear, Barbara, Treme,
Barry White, Johnny Cash...the list goes on!
Who is your favourite fashion designer?
Who is your favourite fashion designer?
Miuccia Prada, Berhart Wilhelm and Dries
Van Noten.
What
is the latest thing you bought for yourself?
Photographer: Sébastien Delahaye |
A steam cooker! Vegetables have never
tasted this good.
What
is your favourite fairy tale and why?
The Red Shoes is an old film where the girl cannot stop
dancing as long as she has her shoes on. The film beautifully tells a story about love
passion, music, life and choices!
What
made you smile today?
The South Park Jacket Of JCDC that our
collaborator wore today, and then the video we made for the FASHIONCLASH
Festival.
What
is your definition of style?
To be at the top of yourself.
What
has been the greatest experience in your ‘fashion’ career so far?
Seeing a total stranger walking in the
street with our clothes on.
What
can we expect from you in the future?
We hope to survive between all the
designers that are on the market and we hope that more and more people will
believe in the brand and wear our clothes.
If
your life were a song what would the title be?
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