Haute à Porter at Modemuseum Hasselt

Fashion Museum Hasselt presents the must-see ‘Haute-à-Porter’, curated by the internationally acclaimed costume designer, journalist and photographer Filep Motwary.  “Haute-à-Porter,” is a wonderous journey through the beautiful relationship between haute couture and and ready-to-wear.

Forza Fashion House Fashion Talks
During FASHIONCLASH Festival we have the honor to welcome Filep Motwary as one of the speakers in one of the Fashion House Maastricht Fashion Talks on July 2nd. Kenneth Ramaekers, the director of the museum will also join the panel discussion of the Heritage Fashion Talk.

-> Fashion Talks will take place at Centre Céramique in Maastricht.
#Heritage: 12.00 – 13.30 #Future: 15.00 – 16.30

Special Offer!
You can visit the exhibition until 11th of September 2016.
Make sure you keep your FASHIONCLASH Festival fashion show ticket, because by showing the ticket the museum will provide you free entrance!

Haute-à-Porter
Haute couture is synonymous with craftsmanship, luxury, extravagance and spectacle. But aren’t these typical features of contemporary prêt-à-porter? The exhibition examines this question further and researches the changing relationship and cross-fertilization between haute couture and ready to wear.
Through a variety of themes and a selection of spectacular silhouettes and accessories from high end designers and fashion houses, the exhibition highlights the significance of haute couture for contemporary fashion. Completed with photography, film, art and music, Haute-à-Porter offers a unique insight into the fashion industry of the last 30 years.

www.modemuseumhasselt.be

Some impressions from the the exhibition. 
Photography Branko Popovic

Haute-à-Porter at Modemuseum Hasselt

Haute-à-Porter: From the 2nd of April until the 11th of September 2016 Modemuseum Hasselt presents ‘Haute-à-Porter’, curated by Filep Motwary, known for his costume design, journalistic activities and photography.
Haute couture is synonymous with craftsmanship, luxury, extravagance and spectacle. But aren’t these typical features of contemporary prêt-à-porter? The exhibition examines this question further and researches the changing relationship and cross-fertilization between haute couture and ready to wear. Through a variety of themes and a selection of spectacular silhouettes and accessories from high-end designers and fashion houses, the exhibition highlights the significance of haute couture for contemporary fashion. Completed with photography, film, art and music, Haute-à-Porter offers a unique insight into the fashion industry of the last 30 years.

Participant designers and houses: Dior, Chanel, Erdem, Kenzo, Burberry, Lanvin, Rochas, Nina Ricci, Vivienne Westwood, Yohji Yamamoto, Dries Van Noten, Christian Lacroix, Delpozo, Jil Sander, Viktor & Rolf, Thierry Mugler, Anna Molinari, Ann Demeulemeester, Comme des Garçons, Giambattista Valli, Rick Owens, Blumarine, Undercover, Giles, Thom Browne, Marios Schwab, Sacai, Alexander McQueen, Anrealage, Schiaparelli, A.F. Vandevorst, Olivier Theyskens, Gucci, Iris Van Herpen, Stephen Jones, Alexis Mabille...

Photographers and artists presented in the exhibition: Peter Lindbergh, Miles Aldridge, Nagi Sakai, Luigi and Iango, Charles Fréger, Francesco Brigida, Emma Summerton, Mikael Jansson, Erik Madigan Heck, Matthias Vriens-McGrath, René Habermacher, Michael Thompson, Fabien Baron, Thanassis Krikis, David Dunan, François Berthoud, Krishna Godhead, Sheila Metzner, Sofia Sanchez & Mauro Mongiello, Michal Pudelka, Ali Mahdavi, Txema Yeste, Daniel Jackson, Kevin Tachman, Iris Van Dongen, Koen Vanmechelen, Giampaolo Sgura, Sebastian Kim, Bill Georgoussis, Tim Richardson, Matthew Brookes...

The scenography of the exhibition is by Lien Wauters

ABOUT MODEMUSEUM HASSELT
The collection of the Modemuseum Hasselt (Fashion Museum Hasselt) counts over 17,000 (1750s till today) items ranging from clothing, shoes, handbags, accessories to undergarments. The collection policy is aimed at acquiring and conserving historical pieces of clothing as well as items from contemporary designers. The Fashion Museum Hasselt presents exhibitions that focus on a certain designer, technique or period; or on crossovers between fashion and other art forms. Internationally acclaimed exhibitions were In Her Shoes, UltraMegaLore, Devout/Divine – Fashion vs. Religion, Axelle Red – Fashion Victim and Hello, My Name is Paul Smith.

ABOUT THE CURATOR
Filep Motwary started his career at the Greek editions of Vogue and L'Officiel in early 2000. He then worked for fashion houses such as John Galliano, Christian Dior and Chloe. Today he is Fashion Features Editor of Dapper Dan Magazine and has interviewed more than 200 fashion pioneers. Among others, he photographs for Vogue, Harper's Bazaar, Joyce.com, Giambatista Valli, Hyeres Festival, Christian Louboutin. His blog Un nouVeau iDeal (2004-2015) was listed in "The world's top fashion blogs" in 2011 by Susie Bubble and William Oliver. He is still active as a costume designer and he is the founder of The Kinsky.

'Gendercodes in de mode van de 20e eeuw'

'Gendercodes in de mode van de 20e eeuw'

Door Nicky Cremers, masterstudente kunstwetenschappen KULeuven 

Yves Saint Laurent, zwarte vrouwensmoking, hersft-winter 1993/94, 

gebaseerd op zijn collectie 'Le Smoking' uit 1967, Modemuseum Hasselt

FASHIONCLASH Festival heeft dit jaar ‘gender’ als overkoepelend thema. Het festival wil aan de hand van mode de uitdagingen omtrent gendertopics aankaarten en een stap zetten in de richting van een intelligente, empathische benadering van gender en deze in de toekomst aan te wenden.

De term ‘gender’ verwijst naar de socioculturele verschillen tussen de sekses. Het zijn de vrouwelijke en mannelijke kenmerken die worden gevormd door opvoeding en cultuur. Mode is een belangrijk middel om menselijke persoonlijkheid mee uit te dragen en dit is niet anders voor de genderaspecten hiervan. Naast hedendaagse kunst en mode, wordt het historische aspect van gender uitgelicht tijdens het festival om aan te tonen dat genderkwesties geen nieuw fenomeen zijn. Mode is van groot belang in het emancipatieproces van bepaalde sociale groepen zoals vrouwen, homoseksuelen en gendervariabele personen. In de tentoonstelling Gendercodes in fashion throughout the 20th century vertellen de stukken uit het Modemuseum van Hasselt de geschiedenis van het veranderende normenpatroon in de mode van de 20e eeuw. De elf geselecteerde silhouetten in de expositie illustreren een evolutie die eerst de vrouwenmode bevrijdt van haar 19e eeuwse keurslijf, gaande van de flapper tot de powersuit. Deze kleding correleert met de veranderende sociale status van de vrouw in de samenleving. Hetgeen opvalt is dat de vernieuwingen in de vrouwenmode meestal adaptaties van elementen uit de mannenmode zijn. Omdat vrouwen tijdens de Eerste Wereldoorlog het werk van de man moesten overnemen terwijl zij militair werden ingezet, moest hun kleding comfortabeler zitten. De kleding viel losser waardoor de vrouwen hun korset achterwege lieten. Het duurde echter nog enkele decennia voordat de broek ook gemeengoed bij vrouwen werd. Wanneer vrouwen massaal op de werkvloer stappen adapteren ze ook het mannenkostuum. De powersuit is een icoon van de vrouwelijke emancipatie maar is gebaseerd op de meest herkenbare mannelijke uitrusting. In de jaren '80 begint deze eenzijdige beïnvloeding echter om te keren en start de mannenmode aan een opmars. Vrouwelijke elementen worden nu ook overgenomen in mannencollecties en het aanbod voor mannen begint enorm te groeien. Er is dus sprake van wederzijdse beïnvloeding in de mode en het duurt niet lang voordat unisex kleding in zwang komt. Daarnaast komt het steeds vaker voor dat personen zich niet beperken tot de collecties die bestemd zijn voor hun sekse, maar ook aan de andere kant van de winkel gaan shoppen. Een aantal designers besloten daarop de verdeling tussen mannen-en vrouwencollecties te laten voor wat ze was en ontwerpen louter kleding voor mensen. Het label Comme des Garçons van de Japanse Rei Kawakubo is hier een tentoongesteld voorbeeld van. Deze mode kan door iedereen gedragen worden, wat maakt dat enerzijds de designer niet langer beperkt wordt in ontwerpkeuzes en anderzijds dat de mogelijkheden voor de consument vergroten. Mode heeft een stadium bereikt waarin sekse ondergeschikt is aan het ontwerp en dat is een interessante evolutie die internationaal toegejuicht wordt.

Dries Van Noten, geruite en gewatteerde bombervest, 

kakikleurige broek met paisleyprint,

 katoenen overhemd, 

hersft-winter 2013/14, Modemuseum Hasselt

Net zoals in het sociale debat omtrent gendergelijkheid, wordt er in de mode gepleit voor een opheffing van de verschillen tussen man en vrouw. Dit gaat praktisch gezien uiteraard niet voor alle kleding aangezien mannen en vrouwen lichamelijk verschillen, maar het gaat om de vastgeroeste ideeën zoals vrouwen die thuishoren in rokken en mannen absoluut niet. Iedereen moet kunnen dragen waarin hij of zij zich het best en meest zelfzeker in voelt. In de mode- en kostuumgeschiedenis zijn tal van voorbeelden te vinden die de traditionele gendercodes nuanceren en bijdragen aan de strijd voor meer gelijkheid.
Met Jean Paul Gaultier, Yves Saint Laurent, Vivienne Westwood en Paul Smith is FASHIONCLASH Festival in goed gezelschap in hun queeste naar een modebeleving die de grenzen overschrijdt.
De pop-upexpo Gendercodes in fashion throughout the 20th century loopt van 3 juni tot 15 juni in het Bonnefantenmuseum te Maastricht. Het is een samenwerking tussen FASHIONCLASH Festival, Modemuseum Hasselt en het Bonnefantenmuseum.


Modemuze verbindt op een online platform de mode- en kostuumcollecties van zeven Nederlandse musea met verhalen van mode- en kostuumliefhebbers als een bron van inspiratie voor een breed publiek. In samenwerking met FASHIONCLASH festival komt Modemuze de hele maand juni met een serie blogs rondom het thema van dit jaar: ‘Gender’. Neem voor een overzicht van alle blogs een kijkje op: http://modemuze.nl

Rei Kawakubo en Junya Watanabe voor Comme des Garçons, 

mantel met ruches en barokke jacquardelementen, 

herfst-winter 2006/07, Modemuseum Hasselt

“Gendercodes in fashion throughout the 20th century”

Paul Smith (1946)

Pop-up expo by Modemuseum Hasselt & Bonnefantenmuseum
during FASHIONCLASH Festival 2015 

03.06.2015 - 14.06.2015

Fashion is considered to be an important medium for individual self expression, as well as for the genderrelated aspects of this indentity. It's traditionally split into womens- and mensfashion, but because of its expressive character, fashion has become a platform for breaking down conventional social roles. Additionally, the fashionchoices of gender variant people illustrate that biological sex is a relative concept in fashion. Furthermore, the fashion world adapted this crossgender approach as a strategy causing the cross-fertilization of men's and women's clothing to grow more and more apparent throughout the recent years. Since the arrival of genderneutral clothing the ends of the genderspectrum have gotten explicitly entangled. People now have complete freedom of choice to express themselves how and as who they want.
FASHIONCLASH Festival 2015 wants to celebrate self expression. That's why they collaborated with Modemuseum Hasselt and Bonnefantenmuseum Maastricht to set up this pop-up exhibition as an element of their gender program. The expo travels through the costume and fashion history of the 20th century to show that gender has always been a precondition for fashion design and that fashion has always played a role in gender fluidity.

http://www.bonnefanten.nl
http://www.modemuseumhasselt.be

Design Contest - The Silhouette of 2039

Modemuseum Hasselt Design Contest "The Silhouette of 2039"
The Modemuseum Hasselt (Fashion Museum of Hasselt) celebrates its 25th anniversary with an exhibition 'Collection 02(5)' and with a design contest 'The silhouette of 2039'. Design the silhouette of the future (2039) and enter for a chance to win a fantastic price: 2500€!

Send your design sketches to the following address no later than April 30 2014 to:
Otwerpwedstrijd (Design Contest)
Modemuseum Hasselt
Gasthuisstraat 11
3500 Hasselt
Belgium

The competition is accessible to everyone (from 18) and will take on sketches until the 30th of April 2014. A jury shall select five designs and announce the 5 finalists on May 15 2014. The 5 finalists shall each make a prototype of their design to be submitted no later than September 1st 2014. A professional jury shall select the winner.
The winner shall be awarded the Prize of the City of Hasselt, worth 2500€ in cash.
JBC awards the JBC Public Award worth 500€ and Issa-Moda will give an Incentive Prize worth 250€. All finalists will receive a goodiebag.
For more information mail modemuseum@hasselt.be or call 0032 11 23 96 21.

You can download the Design Contest Regulations here:   http://www.modemuseumhasselt.be/bestanden/downloads/186370_REGL3_OntwerpwedstrijdEN1_proof_REV.pdf http://www.modemuseumhasselt.be/bestanden/downloads/INSCHRIJFFORMULIER.pdf

http://www.modemuseumhasselt.be

Maastricht Modestad on Tour

Maastricht Modestad Team & designers on tour 

 In context of the Ontwerper/Ondernemer Project (Designer/Entrepreneur project), Munincipality of Maastricht organized an inspiring trip to Belgium Limburg. We started the day with a visit to Flanders Fashion Makers by Mopan in Alken. Following we drove further to C-Mine Genk where we attended a presentation by IDE (Innovatie & Design Euregio) and MIC (Microsoft Innovation Center). Last destination of the trip was the visit to Fashion Museum Hasselt (Modemuseum Hasselt) where we where welcomed by museum's director, Kenneth Ramaekers, who gave an encouraging talk about our local hero's and Euregional potential. In addition we where able to tale a look at the current exhibition in the museum 'Moda - Made in Italy'.

Maastricht VIA2018 Cultuurfrühshoppen

Sunday December 18: About creative industry in Euregio with Guido Wevers
Guests:
-  Branko Popovic, Laurens Hamacher and Kenneth Ramaekers (FASHIONCLASH, F.A.B. Fashion Across Borders, MMH Fashion Museum Hasselt) about fashion industry in Euregio
- David Deprez (Lumière Cinema) and Elbe Stevens (Cinesud) about film industry in Euregio - - Nicole Maurer of Maurer United about Dutch Design Desk
- Chloe Beaufays from Liege Expo 2017
-  live music by Bart Rademakers and Toneelacademie (Theatre academy) Maastricht students

http://www.via2018.eu

Models casting for FASHIONCLASH Maastricht 2012

images by Peter Stigter from FCM 2011
designers Lisa Colpaert and Angelo van Mol
models: Martijn and Stephanie C at SO Manageement
design: Ivo Bakkes

FASHIONCLASH is looking for models (and hostesses) for the 4th edition of the international fashion event FASHIONCLASH Maastricht, 8 - 10 June 2012.

So if you would like to model for FCM 2012 you need to sign up for one of the castings in Maastricht, Hasselt or Amserdam. * Casting for hostesses is only in Maastricht.

Please sign up by sending an e-mail to models@fashionclash.nl.

FAB Store Hasselt opening

Last night,  Fashion Across Borders (FAB) has opened the doors of the unique young designer store in Hasselt.
Young designers from the Meuse-Rhine region are displaying and selling their designs in the shopping gallery 'De Wate Vrienden', located in the heart of the city on the Grote Markt (Grand Market). In the FAB-store you can find unique fashion, jewellery and accessoires by young designers.
FAB STORE is just FABULOUS! The whole team has worked hard to make it happen. Laurens Hamacher of FASHIONCLASH made the store look great.
FAB store Hasselt is open from Wednesday till Saturday from November 4th 2011 utill June 1st 2012.

FAB-Store Hasselt: It's Absolutely Fabulous!

On 3 November Fashion Across Borders (FAB) will open the doors of a unique pop-up store in Hasselt. Young designers from the Meuse-Rhine region will get a chance to display and sell their designs in the shopping gallery 'De Wate Vrienden', located in the heart of the city on the Grote Markt (Grand Market).
In the FAB-store you can find unique fashion, jewellery and accessoires by young designers.
FAB store Hasselt is open from Wednesday till Saturday from November 4th 2011 utill June 1st 2012.

Participants: IXX, TITI+German Kid, sO mINE*, B-MADE, Céline Pinckers, CC, PYG, Veronica Vartic, Lore Langendries, Ingo Binder, Linda Maissan, Irene Heldens, Delphine Quirin, Aicha Gerards and more.


This is also the first official FAB project.
Fashion Across Borders is an initiative of Fashion Museum Hasselt, FASHIONCLASH (Maastricht) and Designmetropole Aachen. FAB is supported by collaboration with MAD-Faculty, City of Hasselt service for local economy, with the support of real estate office Wallter and Maastricht VIA2018.
Follow FAB on Facebook: http://www.facebook.com/FashionAcrossBorders

Prints! in fashion and costume history

stunning picture and creation
Mastori*Motwary Studio Couture
Fall 2011

Prints! In fashion and costume history 1750 - 2000


from 25.06 - 08.01.2012
MHM Fashion Museum Hasselt
Printed textile is a decorative art form, used for interiors as well as for clothing. The varieties of motifs often reflect the collective taste and Zeitgeist of a certain period. Printing textile is also a complex industrial process and as such dependend on innovation, mechanisation, research and technological progress.

European textile printing finds its origins in the India of 2000 B.C. Indian fabrics were introduced through trade (East Indian Company) to Europe. The attractive use of colours and motifs seduced the European public, hungry as it was for anything exotic.
The fabric was also a good alternative for heavy silk, wool and linen. The demand for these new fabrics quickly exceeded the supply: a booming copying economy of Indian fabrics was born. These Indiennes (Chintz) were adapted to European flavours.

Until the end of the 18th century motifs remained mainly derivations of the original floral pattern from India, but the industrial revolution at the beginning of the 19th century brought about radical change. Under the impulse of science and mechanisation, the printing of textiles became an industrial process still expanding today.

In contemporary fashion we find a variety of prints, depending on trends. They vary from references to historical patterns (landscapes, floral and bucolic figures) to innovative, experimental motifs. It became the trademark of a diversity of designers such as Emilio Pucci, Dries Van Noten, Hermès (carré) and Missoni.

Lenders: Musée de l’impression sur étoffes (Mulhouse), Musée de la Toile de Jouy (Jouy-en-Josas), Hermès (Paris), Royal Museum for Art and History (Brussels), Gemeentemuseum The Hague, Musée de la Vie Wallonne (Luik).


For more information: http://www.modemuseumhasselt.be

DSGNRMRKT Pop-Up-Parcours

DSGNRMRKT Pop-Up-Parcours 
13 - 21 May in Hasselt (Belguim)






Designers: Les Deux de Cock, Elsewerk, Swantje Langeheine, Lore Langendries, Black Balloon, Made by Chickies, I Love Deer, Titi + The German Kid, Maureen De Clercq, Bravoure, Afsart, studioRUIG and Jojo.
Locations: La Bottega, MMH (Fashion museum Hasselt), Boon, Z33, Clinic, Paplou, Alley, Donum and Stijn Helsen.


Lore Langendries and Swantje Langeheine are also taking part at FASHIONCLASH Maastricht 2011.
Elsewerk, Irene Heldens and Swantje Langeheine are also availible in FASHIONCLASH STORE.


for more info: http://www.dsgnrmrkt.com

Lore Langendries

Swantje Langeheine
FCM 2011
photo Peter Stigter

Bravoure
photo Joost van der Neut

'My Way' by Daniel von Weinberger

NEW EXHIBITION 'MY WAY' BY DANIEL VON WEINBERGER AS OF APRIL 15 
in Modemuseum Hasselt


15 april - 05 june 2011

After the exhibition "Plastic c'est Chic ' at Grand-Hornu designer Daniël von Weinberger shows his latest creations at the Fashion Museum Hasselt, under the title 'My Way' as of April 15.  'My Way' as the song by crooner Frank Sinatra, but in the version of Sid Vicious from the Sex Pistols. The central hall of the museum will be transformed into a post-punk scene.


Daniel Von Weinberger (Antwerp, 1950) studied jewellery, fashion and 
theatre design at the Royal Academy of Art in Antwerpen and Precious
Metal Worker from 1965 until 1973.

After that he learned enameling at the Bezalel Academy in Jerusalem,
followed by a year in sculpture in Antwerp. He participated in more that
70 collective exhibitions in Belgium and abroad, displaying jewellery,
paintings, sculptures, Mail Art, Box Art and videos. Since 1974 he had
about 30 individual exhibitions. He has the reputation of being the most
extravagant of the modern jewel designers — MMH














You can also still visit 'The future that never was' 

http://www.modemuseumhasselt.be

The Future That Never Was

Alter Nature: The Future That Never Was

From the 29th of January 2011 until the 5th of June 2011 the Fashion Museum of Hasselt (MMH) shows visions of the future from the past, and the possible future of tomorrow.
Besides the big names and fashion classics, there is also work by young talents like Alexandra Verscheuren, Wieteke Opmeer, Lisa Shahno and Marloes ten Bhömer.

FASHIONCLASH attended the successful opening and recommend it to anyone visiting this inspiring exhibition. Special compliments to Lien Wauters who is responsible for the scenography.

For more information: http://www.modemuseumhasselt.be

Marloes ten Bhömer

Lisa Shahno

Participants :
Victoria & Albert Museum London(Paco Rabanne, Pierre Cardin, Edward Mann)(UK), Museo del Traje (Paco Rabanne) (ES), Gemeentemuseum Den Haag (Gijs Bakker, Emanuel Ungaro, Paco Rabanne,...) (NL), Modemuseum Hasselt (André Courreges, Mary Quant, Paco Rabanne, Pierre Cardin, Rudi Gernreich,...)(BE), Lisa Shahno (DE), Suzi Webster (CA), Alexandra Verschueren (BE), Anke Loh (BE), LucyandBart (NL), Wieteke Opmeer(NL), Anita Evenepoel (BE), Anna Heylen (BE), NatureVSFuture (US), BioCouture -Suzanne Lee (UK), Olivia Ong (US), Atalanta Weller (UK), Knowear (US), Marloes ten Bhömer (UK), BioJewellery (UK), Christopher Raeburn (UK), Katharine Hamnett (UK), Lanvin (FR), Thierry Mugler (FR), ...

Curator and concept: Kenneth Ramaekers
Assistant Curator: Eve Demoen
Research: Lise Braekers and Romy Cockx
Scenography: Lien Wauters

Devout/Divine - Fashion vs Religion at the Fashion Museum of Hasselt (MHM)

FASHIONCLASH is glad to mention that close to Maastricht there is a very fine fashion museum, the Fashion Museum of Hasselt (MHM)!

If you are having some spare time or if you want to do some cultural activities during the holidays than we have a tip for you: The exhibition "Devout/Divine - Fashion vs. Religion" is open until the 9th of January 2011. 


Here's a blog post by BRANKOPOPOVICBLOG: http://brankopopovic.blogspot.com/2010/12/devoutdivine-fashion-vs-religion-at-mmh.html

From the 26th of June 2010 until the 9th of January the Fashion Museum of Hasselt (MMH) is under the spell of religion with the exhibition Devout/Divine - Fashion vs. Religion. This expo doesn't show a traditional overview of historical religious garments and textile, but focuses on the relationship between contemporary fashion and religion. More specifically, the integration and translation of religious symbolism from the five major world religions in designs of the past decennia will be emphasized.
Original interpretations of burqa's, a praying carpet transformed into a handbag, habits remodelled as catwalk ensembles and Haute Couture nuns are just a few examples.

Devout/Divine - Fashion vs. Religion is a compilation of creations of national and international designers. The expo examines how religion is integrated in their work. Should this adaptation be considered as an expression of a religious view, a testimony of a civil or social framework, a ritual statement, or is it pure aesthetic?

Participants: Rick Owens, Walter Van Beirendonck, M F Girbaud, Mada Van Gaans, Bernhard Willhelm, JP Gaultier, John Richmond, A.F. Vandevorst, Giambattista Valli, Raf Simons, John Galliano, Christian Lacroix, Todd Lynn, Manish Arora, Sabijn Peters and many others.
Coordinator: Kenneth Ramaekers /Research: Eve Demoen / Scenography: Michaël Verheyden / Grafical design: Geoffrey Brusatto /In cooperation with the institution of integration Hasselt.


Here's also a blog link (post by BRANKOPOPOVICBLOG) about one of their succesful exhibition " UltraMegaLore - Hanelore Knuts": http://brankopopovic.blogspot.com/2010/04/ultra-mega-lore-hanelore-knuts.html


UltraMegaLore poster was recently awarded with the audience award for the Power of Print 2010, the competition in Belguim for promotional posters and flyers in the cultural sector. 

for more information: http://www.modemuseumhasselt.be

Jean-Paul Gaultier

Raf Simons

Maybe you remember these images by Peter Stigter that where exhibited duting FASHIONCLASH Maastricht 2010 last summer in the Timmerfabriek.  http://www.peterstigteraandemuur.nl

picture by Peter Stigter
for  the foundation Peter Stigter aan de Muur
http://www.peterstigteraandemuur.nl/

Peter Stigter aan de Muur