Posts tonen met het label sustainable fashion design. Alle posts tonen
Posts tonen met het label sustainable fashion design. Alle posts tonen

zondag 13 mei 2018

Mukashi Mukashi by Birutė Mažeikaitė

Photographer: Fredrik Altinell
Mukashi Mukashi is a label by Lithuanian Birutė Mažeikaitė. Focusing on sustainable clothing, in 2017 she won the 'Fashion Makes Sense Award', earning her sponsorship for her new collection 'Animus',  a collection that explores the battle between wanting to be original and wanting to fit in.

Mukashi Mukashi will present her collection 'Animus' at the Show program on Saturday 16th of June at the SAM-Decorfabriek. Get your tickets here.

What made you realize that you wanted to work in (fashion) design?
I was born after Soviet Union crumbled, but my family spent most of their lives in it. Since there was deficit for almost everything, in order to be stylish, my parents did a lot of clothes themselves. During my early childhood the economy in Lithuania was still developing and I ended up doing a lot of things for myself too. I would get inspired and spend all night doing something that I wanted to wear to school the next day. I kept doing the same during my university years while studying psychology. And at some point I understood that the way I get excited about it is special and I want to do this for a living.

Why did you choose fashion?
I see myself as a creative person, designing makes me happy. I didn’t have a formal drawing education to get into art universities, but I was also scared to try. I even finished bachelor of Psychology, but it didn’t feel right. I kept drawing during my lectures. At some point I realized that I will regret if I don’t pursue design. Trial and error. But once I tried it, I knew I made the right decision.

What would you say are your main achievements in your career?
Winning FASHIONCLACH Fashion Makes Sense Award and becoming finalist of International Talent Support Contest are two most memorable achievements. Landing a certain kind of job is always good and exciting, but to me, memories related to my artwork are much more dear and precious. As a young artist struggling to make it, this kind of outside appreciation is very nurturing. I know that my brand is very young, but it is a precious product of my imagination and I am very proud of it as well. I am excited to see where it will go.

What are your sources of inspiration?
I think my collections are quite different from one another and I take inspiration from many diverse things that are important for my own world at a current time. I wouldn’t even know what will inspire me next, I feel that it is important to keep my options broad and see where that takes me.

Why did you decide to participate in FASHIONCLASH 2018? What are your expectations?
I always wanted to participate in FASHIONCLASH, because I feel like this festival explores a broader spectrum of creativity in fashion. It is always very gratifying to show my works after working so hard to materialize them from thoughts. I am looking forward for people to see it as well.



maandag 7 mei 2018

Peer Cox - Serbia Fashion Week

Dutch fashion designer Peer Cox showed his collectin at the 10th edition of Serbia Fashion Week.
With his upcycled collection Peer shows that innovation and sustainability can go hand in hand.
Peer Cox took part at Fashion Makes Sense edition of FASHIONCLASH Festival in 2017. Currently he lives and works in Berlin.

www.peercox.com
http://serbiafashionweek.com


maandag 26 maart 2018

Resortecs wins Global Change Award

Vanessa Counaert and Cédric Vanhoeck with the award
On March the 20th, Resortecs has been awarded with its Smart Stitch Innovation. The Co-Founder from Resortecs, Cédric Vanhoeck was a participant at the FASHIONCLASH Festival 2017.

The Global Change Award is an innovation challenge initiated by the non-profit H&M Foundation. The Global Change Award is one of the world’s biggest challenges for early stage innovation and the first such initiative in the fashion industry. 

Cédric Vanhoeck says about the award: ‘’thanks to this award, we’ll get additional means to evolve our first working prototype to the next level. We are now just a stitch away from conscious fashion!’’



As 1 of the 5 winners of the prestigious Global Change Award, we are looking forward to the global accelerator program together with H&M Foundation, KTH Innovation, Accenture and Fjord.


The Resortecs shoe
The Resortecs stitching is engineered to enable labour-poor and cost efficient disassembly of products into reusable product components as apposed to a mix of shredded material. Resortecs is working on a fully dismantle-able and therefore recyclable shoe. The shoe will be named JOAN – the most circular shoe.



https://resortecs.com


zaterdag 24 juni 2017

NENUKKO at FASHIONCLASH Festival 2017

NENUKKO presents vegan collection Interlude.Disrupted at FASHIONCLASH Festival 2017

Saturday 1 July, Polish Nenukko will launch the vegan collection: Interlude.Disrupted on the 9th edition of FASHIONCLASH Festival at the SAM-decorfabriek Maastricht. The genderless NENUKKO models will run the catwalk in show 5 (from 20:30 – 21:00 hrs.). Don’t miss it! For tickets got to www.fashionclash.nl/tickets


woensdag 7 juni 2017

SHI[R]T | FASHIONCLASH Festival 2017

Meet Jeffrey Heiligers and Eva Wagensweld, the designers behind SHI[R]T. Jeff is originally from Voerendaal (a small village in the province of Limburg, in the South of the Netherlands) and Eva is from Woerden, a town located in the middle of the Netherlands. Currently both are based in Amsterdam. Jeffrey graduated from the Design Academy in Eindhoven, from the faculty of Man and Well-being and Eva graduated from AMFI (Amsterdam Fashion Institute), from the faculty of Fashion and Design. The brand SHI[R]T was born out of a frustration that both designers shared about unfair working conditions and high prices to be able to get promoted. They also find that the price to product ratio when it comes to clothing is distorted because people on the other side of the globe make the garments for as little as a couple of cents per day and customers expect high service for low prices even despite that. With SHI[R]T, Eva and Jeff are trying to convey the message that fashion can be made fair to everybody and also be aesthetically pleasant. The project that they will present on the FASHIONCLASH Festival will be a wake up call to change our consumer behavior.

When did you realise you wanted to work in a field of (fashion)design?
JEFF: I think already as a young child it was clear that I liked creating things. Because my approach was quite technical and focused on movement I decided I wanted to study mechanical engineering. In my 3rd year I realized I couldn't do what I wanted to do as it was all focussed on technology and practicality. Aesthetics was out of the picture and I felt I would be able to translate technology into simple shapes and object, that look pleasing and still keep their function. Thats when I started a pre-art school program for the art academy in Maastricht. During this course I felt like a world opened up to me and I applied to the Design Academy Eindhoven and got in.

EVA: When I was hooked on the series ‘The Hills’ in high school. I totally wanted to have a Lauren Conrad life. I had no idea what I wanted to do and it’s kind of crazy to make this decision when you’re 16 years old, but I’m glad she inspired me.

What are so far your main achievements in your career?
JEFF: I think both my graduation projects (Posture and Momentum) are a good representation of what I stand for as a designer. In both I succeeded to translate a technical device into something aesthetically pleasing, with full functioning simplified technology applied.
 Posture had been picked up by the press and was a hit during Dutch Design Week ’15. I have gained a lot of knowledge out of this experience, about your work being recognized and promoted. Making money of it on the other hand is the biggest struggle.

EVA: Graduating without delays before my 21st birthday with my collection ‘We’re flying over the Cuckoo’s nest’ and finding my own design style. Taking this to the next level with BLACKBLEACH and keeping on evolving.

In what projects are you involved at this moment?
JEFF: I just launched a new collection with my studio that is existing out of 5 basic pieces that can be made-to-measure with the sizing tool I designed for Posture. The production process is done in fair way and the pieces are unisex. Next to that I work as freelance prototyper/production manager for Lokbi Enterprises and started collaborating with Eva Wagensveld. We both share the same view on society and we both want to do something about it, but in our own way. Although alone is alone and together you can do more. SHI[R]T for me was born out of a slight frustration of unfair working conditions and high prices to enter competitions or shows to promote your portfolio. I had quite some job interviews over the past 2 years and was mostly offered an un-paid internship or very ridiculous working conditions. I am aware that still we shouldn’t complain about these things because on the other side of the world people are sewing garments together for a couple of cents a day. It feels like society is loosing its touch with what is fair and what isn’t. Especially when it comes to prices products are sold for. I mean… customers expect high service, for low prices and that actually should be impossible.

EVA: Currently I am working on my own brand BLACKBLEACH where I create new garments out of used and/or leftover materials. During AMFI I always liked to design from existing garments because of interesting shapes and details. It started to feel strange to throw away those beautiful ‘toiles’ and only use them for their patterns. So now I handpick beautiful waste and reinvent it. The other project I am involved in is SHI[R]T, together with Jeffrey. SHI[R]T is super exiting to me and Jeff and I are really on the same page, we can have super inspiring whining conversations with each other and then come up with amazing ideas. It’s so cool to find solutions for things that you aren’t happy about.

What do you love the most about your profession?
JEFF: It is amazing to create new things. The feeling that comes with making progress in your process is a kick that gives you drive to keep going with reaching that end goal. When it is finally finished, it isn’t actually finished because of all the new input and inspirations you gathered during the process to start something new. It’s an endless circle of improving yourself and your designs.

EVA: I love to drape around with garments and explore until I am happy about the design. Then finishing it and constantly find solutions by solving detail ‘problems’ is super satisfying. I just really love to create whilst also trying to do something right for the world.


What are your biggest struggles as a young designer/artist?
JEFFIt is annoying to say and sometimes it bothers me, but it is money and time. Unfair offers from big companies and not begin paid for your services. I love what I do, but just as any one else I need to pay my rent at the end of the month. As a young professional I need a job on the side to be able to sustain myself.


How would you define fashion?
'Fashion is a reflection of what is happening around us.'

What fascinates/inspires you and why?
Fast-fashion brands and their customers. The way people don’t think about their purchase. How can a ready to wear garment cost €10,- if you take all the labour-, material- and transport costs in to consideration?

What challenges did you face during the design process?
JEFF: The biggest challenge was creating the measuring system for Posture. It was a big game of trial and error. Making a Posture garment is very precise work and it took a long, long time to create a digital system to produce an individual piece for each customer.

EVA: Finding the time to design and really finish garments. Sometimes I have so many ideas that it’s tempting to create something new all the time and not finish all the details of other designs. It’s also always a surprise if there will be something useful in the thrift shops / markets. And when I don’t find anything I have no material.

Why have you decided to participate at FASHIONCLASH Festival?
Because the theme fits our platform like a glove.

What are your thoughts regarding ‘religion and fashion’?
Interesting, but possibly dangerous.

Does fashion makes sense to you? 
No. Does fashion make sense if the quality of the products is low, the labour conditions are poor and it harms the environment terribly? The psychology behind fashion has become less about quality or durability and more about being fast, cheap and easy to replace.

What are your thoughts on making ‘fashion’ more environmentally-friendly?
It’s necessary!
'People should make conscious decisions about their purchases. Don’t buy because you can, but buy something because you need it.'

What are your thoughts on the senses in relation to the human body?
The relation to the human body got lost. The standard confection measurement is nowhere to be found and models are either super skinny or overweight.

Do you think that fashion can contribute to a better world / better well-being, and what do you do to make a difference? 
Yes, we need society to be conscious and make it easy for the consumer to buy the right things. With SHI[R]T we want to make it easy for people to find fashion forward products that are created by [young] local designers. This by offering all these designs on one webshop. Instead of going to webshops like Zalando, de Bijenkorf or Asos, go to www.shitshirt.nl and buy sustainable!


What senses are engaged in your creation process?
JEFF: Touch and vision
EVA: Vision and touch.

How does technology change your creation process?
JEFF: Without technology there is no process.
EVA: It’s super useful to always have my extended brain [iPhone] with me.

What’s a standard day for you?
SHI[R]T, SLEEP, EAT, REPEAT.

Vegan, vegetarian, healthy diet or any food will do?
Healthy food [vegan].

What’s your favorite song at the moment?
Money - The Flying Lizards.

Best TV-show/movie at the moment?
Minimalism.

What is your bad habit?
Working whilst being underpaid.

Are you a people's person or a loner?
People’s person.

Do you have a pet?
Yes, our boyfriends.

Your favorite quote?
Life would be tragic if it weren't funny. - Stephen Hawking.

What’s your favorite city?
Amsterdam.

Who is your biggest example/idol?
Iris Apfel.

Favorite magazine?
Playgirl, we don’t like fashion magazines.

Your favorite hashtags #?
#shitshirt #fuckfastfashion #savethechildrenofbangladesh

You favorite social media app?
 LinkedIn, to find unpaid internships.

Instagram account you think deserves more attention?
@shi.r.t

Jeff and Eva have a website where you can read more about their stance on contemporary fashion design, and check out their garments. Take a peek at it by clicking here.    

zaterdag 5 november 2016

MOOI Festival Antwerp

The Post Couture Collective
MOOI Festival, a festival about the beautiful things in fashion of the future,  took place in Antwerp 29 and 30 October in de Studio in Antwerp.

Villanella art center opened up a dialogue with the fashion world. In collaboration with designer, innovator and curator Bruno Pieters, the festival showed the state of the mind of the 'sustainable'  fashion scene in Antwerp and provided a platform for debate aiming to stimulate the start of a new way of thinking that will activate both new as established players in the industry to think.

The two day festival contained exhibition, Labo, talks and a fabric fair.
Exhibition curated by Bruno Pieters displayed Antwerp fashion talent that approaches fashion from ethical, sustainable and responsible point of view. The exhibition featured work by
Y/Project, Rombaut, Jan Jan Van Essche, Daniel Andresen, Katrien Van Hecke, Ilke Cop and innovative projects such as The Post Couture Collective and Honest By.
Labo programme showed innovative techniques and initiatives by Martijn van Strien and Freitag.
Another innovative project that had its first presentation is 
TexUp that showed the results of Textiel Upcyclage Labo. This is a thinktank platoform where fashion and costume designers, product developers and artists meet. The residual clothes and linen from the Radisson Blu Hotel are reused through innovative, circular and creative techniques.
Five selected fashion and costume designers, product developers and artists from the Lab took on the leftover hotel textiles and designed firsthand pieces. The designers were coached by Ilke Cop and Lisa Konno.

http://www.mooi-festival.com

All images by brankopopovicblog

maandag 9 juni 2014

dinsdag 17 april 2012

i am Nold by Natalie de Koning

1. Please introduce yourself to our readers. (Who are you, where do you come from and what is your field of specialization?) 
I am Natalie de Koning, a 23-year-old recently graduated fashion designer who lives and works in Utrecht. You could say my field of specialization is sustainable fashion design. With ‘I am Nold’ I am making wearable sustainable fashion designs. Besides that I am also making high fashion garments from time to time, like right now, I’m also working on three pieces for a new exhibition called ‘High Fashion Low Countries’ (www.highfashionlowcountries.com). 


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